ISO in Photography: what it is and when to use your higher settings Has 90% of ice around Antarctica disappeared in less than a decade? Does that mean you'd basically be turning it back down to an equivalent of about 100? Your photos make me think this is the best of all the Portra stocks such great colours! However, I still prefer the precise, granular control and the interface of the Color Balance tool. Obviously grain is not ideal but it is also not my primary concern, at least at this point in my analog journey. One way CineStill recommends is using a 85 or 81 filter for daylight images with this stock. Heavy overcast or about to rain - ISO 400. But just like a non-cloudy Summer-ish day during which I could happen to be shooting. When you are unable or unwilling to close your aperture too much (due to desired depth of field and/or diffraction worries) you have to resort to ND filters to make exposure work. 2. And if you shoot it in daylight, a sunny day is 5400k and shade is 6500-7000k, meaning that shooting tungsten film in daylight will give you completely blue photos. But to a light-sensitive emulsion, these are all different colours. Some of our partners may process your data as a part of their legitimate business interest without asking for consent. About white balance and colour temperature. I might have to shoot some Portra now and see how it compares. I'm not really sure what made me decide to load a roll of it and shoot it in daylight originally, but I'm really glad I did. It single-handedly converts your emulsion to daylight-balanced stock. Photography on a Cloudy Day . To view the purposes they believe they have legitimate interest for, or to object to this data processing use the vendor list link below. Which is why I would again recommend an 85C colour filter to simplify things and save time. As they are a light source they will be bright enough to use your film at box speed i.e ISO 800. ISO for daylight. Kodak Professional Ektar 100 is a daylight-balanced color negative film characterized by an ultra-vivid color palette, high saturation, and an extremely fine grain structure. And again, I suppose I could (guess and) adapt using the exposure-adjustment as conditions change, much like I did on digital cameras. Just revisited this; I think its good to read and holds up well after two years Hamish. As a tungsten balanced ISO 800 film, CineStill is designed to be shot under artificial light and also in low light. if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[250,250],'35mmc_com-leader-2','ezslot_15',189,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-leader-2-0'); As you can see in this next frame, which Im going to take a stab in the dark (pun) and say was shot at EI1600, there is every bit of potential for very sharp, low grain images from this film provided a high quality lens is used and its scanned and processed well. Thanks for contributing an answer to Photography Stack Exchange! I bet youve had some cracking results! If they dont hurry up with E100 in 120, I might have to though . ISO is your camera's sensitivity to light as it pertains to either film or a digital sensor. As an 800 speed film, it seemed only right again loaded into the Konica Hexar with the 50mm f/1.2 mounted, I took a roll out on a night out. Im new to 35mm photography and am very much still getting the hang of things. For such high ISOs you probably want an with a density of 5 or 6 stops. 1. If you plan to shoot indoors in low light conditions, film ISOs of 400, 800, or even 1600 are preferred. Let's start by understanding h. As for who said 400 or(!) Now, Im not a fan of shooting high contrast because in 2021 you want a good scan with detail then you put the contrast in yourself; but if you want to get stuff back from the lab that kids you you were shooting E6 but still looks nice, Ektar is the go. Some people say that 400 ISO is the "true" rating of the Alexa sensor but 800 ISO is the manufacturer's recommended rating. you could shoot this film at 800 and get more leeway in terms of aperture/shutter range. CineStill takes advantage of a C . These next shots were taken at EI200, and though this seemed to emphasise a yellowish-shift in the scans, it was nothing I couldnt post-process out with relative ease Decide what you want to achieve and have the proper technical solution for it.The workflow would be to find the f-stop and speed you want to use, and find the ND that will allow you to use that particular combination in a particular light condition. So what *is* the Latin word for chocolate? August 1, 2022 by Jodi Carville. There is a 4-stop difference between the p800 rated at 800, shot at f2.8 @ 1000 vs. p800 rated at 200, shot at f2.8 @ 250! In the days of film cameras, the ISO body would rate film's sensitivity to light, giving it a speed and ASA rating. What happens when CineStill 800T is shot outdoors in daylight? An ND (or several) will make your project more manageable. Browse other questions tagged, Start here for a quick overview of the site, Detailed answers to any questions you might have, Discuss the workings and policies of this site. In our review, we state: "Kodak Portra 800 is apparently based on Kodak's VISION 2 technology whereas Kodak Portra 400 and 160 . 35mmc is a blog authored, edited and published by Hamish Gill featuring daily articles submitted by readers. Id have used Portra 800 instead! What film should I use for black and white outdoor 'formal' shots? Kodak Portra film rated at ISO 800. . At this stage, it was quickly dawning on me that Portra 800 could be the film that might offer me the greatest level of versatility and the lowest level of requirement to tinker with the results within my workflow. There are a couple ways to cut down on exposure and create a warmer image with more accurate color when shooting this stock in daylight. Can I develop my b&w film a year after shooting it? It's also a versatile film and can be used indoors and outdoors, but preferably in lots of light. purchases using the links above so that this website may get a small percentage of that sale at no extra charge for you thanks. Great latitude and the extra speed makes the cameras work better. With an ISO of 800, CineStill 800 Tungsten is ideal for capturing low light and fast action under tungsten lighting. Its my favourite at least, Portra 400 is well known to be a film that allows for significant levels of overexposure and it still be quite correctable. It's only one stop slower than ISO 800, and two stops faster than ISO 100. A: 50Daylight is a ISO 50/18 speed daylight balanced (5500K) motion picture emulsion, prepped and rolled for clean safe C-41 standard development as an ISO 50 film. Photography light calculator. It sounds like I need to keep one handy for exactly this kind of situation. Any concerns I might have had about grain went straight out of the window when looking at the first results. By rejecting non-essential cookies, Reddit may still use certain cookies to ensure the proper functionality of our platform. Actually, now Id got to grips with my scanning processes, what really interested me when I scanned this roll is that I found it much easier to get the more saturated colours I like. mode, I shifted my sliders away from Green towards Magenta, from Cyan towards Red, and from Blue towards Yellow. I participated in an exposition last month, and all my entries were Portra 800 (in an all digital expo). Once my adjustments made the image appear close to the reference, I moved on to Shadows and Highlights, returning to Midtones occasionally to fine-tune the results. So develop a relationship with and love your lab. Best Overall: Kodak Funsaver Disposable Camera ISO-800 at Amazon. Its shots like this that make me wonder why some people are so obsessed with pushing film these days. I scanned the test roll with PrimeFilm XAs using the digital negative technique that ensured no unexpected automatic colour adjustments on top of the scanner data. You won't miss a low light shot again . When shooting, you'll need a camera that will allow you to change your ISO manually. The difference in colour balance between shots taken with and without the filter depends on the time of day and the scene. I talk more about my colour film workflow here, but I mention this now to highlight the point that there are a lot of variables within the process of shooting film, so really all youre about to read amounts to is a review based on how I personally shoot and have processed this film. Took me back to shooting Fujicolor 800 on the F4 in the late 1990s. - It's pretty much exactly like you described, a maximum of 1/1000 and f22. Just thought Id say hi , but it turned in to a what Im shooting and why. (Im on holidays) BTW started a project Im pretty sure Ill shoot dig Im shooting it on dig and 120P400 but I think Im getting more what want off the dig. Both of these options can be a little problematic. Or for when subject is moving at speed (will cut down on blur). 400-speed films also have the highest dynamic range and tonality on the market because they use a mix of large and small grains that make them much more versatile. So I wanted to know if Portra 800 was just as flexible. Left: colour-corrected. So I suppose I could try it and see how it responds for the scenes I like to use it in, as long as it's not overly bright. In most cases, a 400-speed film will allow you to get perfect exposures without a tripod. Support this blog: this project takes thousands of hours and dollars to maintain. CineStill 800T in daylight, dev/scan by Rocket Repro lab, Vancouver. Kodak Vision 3 technical data sheet demonstrates how its grain behaves and illustrates the impressive 10+ stops of dynamic range: CineStills signature red halos around highlights due to the missing rem-jet layer are another something that neither Portra nor Lomography films have. The image above demonstrates the best-case scenario: I had a reference frame shot with an 85C warming filter right next to the working (no filter) scene. So I have to check if it works. The combination of shutter speed, aperture and film speed/ISO (and light modifiers) are expressed as EV or "Exposure Value". Depending on what you're shooting, you choose a film that matches your sensitivity needs. ISO 400. Is Koestler's The Sleepwalkers still well regarded? It would also allow you to use lenses at deeper stops to have also a larger depth of field. The biggest problem you will find with NDs, is that if you are using a reflex camera it will get very dark when looking trough the eyepiece and might be a bit harder to focus. "fast film". I was still getting the hang of my Noritsu scanner and so hadnt felt entirely comfortable deviating from my usual choice of film. Planned Maintenance scheduled March 2nd, 2023 at 01:00 AM UTC (March 1st, We've added a "Necessary cookies only" option to the cookie consent popup. You can use Kodak Vision 500T or 250D its improved Portra. I typically prefer results taken with the filter, but its not difficult to imagine that certain photographs. "Great for taking photos in water of any sort." The other thing Id say reading this is, OK how did you end up getting on with E100? Understanding how to expose in lower-light and how to scan properly can reap much better results in my experience but anyway, thats a rant for another day. As an 800 ISO film, I suppose I had pigeon-holed it as a low-light film. The number of distinct words in a sentence. Which prompted me to ask "Well, if that's intended for really low light, is it AT ALL usable outdoors or will I run into problems with overexposure even attempting to use it?". Thanks for your answer. Whether it be underexposing the film a bit, or popping a filter on the lens to support, check out our tips for shooting Cinestill 800T in daylight. Table of Contents show. PTIJ Should we be afraid of Artificial Intelligence? I have a tendency to shoot slightly overexposed; however, in post-production, the image is brought back to normal to fix skin tones. Also, 400 is a good general purpose film. Night photography, outdoor in available light falls in the EV 3 to 5 range at 100 ISO, let's take EV 4 at ISO 100 as a typical value. The 28-70 lens was a little lower-contrast and not quite as high resolution as a lot of the lenses I normally shoot. Landscape photography, for example, is very well-suited to low . For example, a compact point and shoot with a maximum aperture of f/16 and shutter speed of 1/500 won't be able to expose 1600 film properly in bright sunshine (roughly two stops over if you use Sunny 16). It would probably have to be a variable one when I'm shooting mixed scenes/lighting, so I will look for that. If you shoot 200 ISO film at 400 ISO, then photos will be overexposed by . Portra now and see how it compares if you shoot 200 ISO film, 800. Slower than ISO 100 so obsessed with pushing film these days my Noritsu scanner and so hadnt entirely... Think this is the best of all the Portra stocks such great colours its good to read holds... Lots of light for that filter to simplify things and save time above so that this website may a! Its good to read and holds up well after two years Hamish from towards... 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